31ª Bienal de São Paulo
Como (…) coisas que não existem [How to (…) things that don’t exist]
Agnieszka Piksa, Alejandra Riera & UEINZZ, Ana Lira, Anna Boghiguian, Archivo F.X. & Pedro G. Romero, Armando Queiroz; Almires Martins & Marcelo Rodrigues, Arthur Scovino, Asger Jorn, Asier Mendizabal, Basel Abbas & Ruanne Abou-Rahme, Bik Van der Pol, Bruno Pacheco, Chto Delat, Clara Ianni & Débora Maria da Silva, Dan Perjovschi, Danica Dakic, Edward Krasinski, El Hadji Sy, Erick Beltrán, Etcétera… & León Ferrari, Éder Oliveira, Gabriel Mascaro, Giuseppe Campuzano, Graziela Kunsch, Graziela Kunsch & Lilian L’Abbate Kelian, Gu¨lsu¨n Karamustafa, Halil Altindere, Hudinilson Jr., Imogen Stidworthy, Ines Doujak & John Barker, Jakob Jakobsen & María Berríos, Jo Baer, Johanna Calle, Jonas Staal, Juan Carlos Romero, Juan Downey, Juan Pérez Agirregoikoa, Kasper Akhøj & Tamar Guimarães, Lázaro Saavedra, Leigh Orpaz, Lia Perjovschi, Mapa Teatro – Laboratorio de artistas, Mark Lewis, Marta Neves, Michael Kessus Gedalyovich, Mujeres Creando, Nahum Zenil; Ocaña; Sergio Zevallos; Yeguas del Apocalipsis & Miguel A. López, Nilbar Gu¨res, Nurit Sharett, Otobong Nkanga, Prabhakar Pachpute, Qiu Zhijie, Romy Pocztaruk, ruangrupa, Sandi Hilal; Alessandro Petti & Grupo Contrafilé, Sheela Gowda, Teatro da Vertigem, Teresa Lanceta, Thiago Martins de Melo, Tiago Borges e Yonamine, Tony Chakar, Val del Omar, Virginia de Medeiros, Vivian Suter, Voluspa Jarpa, Walid Raad, Wilhelm Sasnal, Yael Bartana, Yochai Avrahami e Yuri Firmeza
Curadoria de Pablo Lafuente, Oren Sagiv, Nuria Enguita Mayo, Galit Eilat, Charles Esche
opening_ 01/09/2014, monday, (invitation only)
exhibition_ 06/09/2014 til 07/12/2014
The title of the 31st Bienal de São Paulo is a poetic invocation of art’s capacities, of its ability to reflect and act upon on life, power and belief. The sentence, neither a question nor a proposition, entangles, through art, the mystical and spiritual side of life with political and social ideals, an optimism that echoes that of the Bienal and the projects within it. The range of possibilities for action and intervention is open – an openness that is the reason for the first of the two verbs in the title to constantly change, anticipating the actions that might make present these things.
segment_ video, site specific, sculpture, photography, painting, object, intervention, installation, drawing
place_
Pavilhão Ciccillo Matarazzo
Av. Pedro Álvares Cabral s/n Portão 3 - Parque do Ibirapuera
São Paulo / São Paulo / Brazil
55-11-5576-7600
www.bienal.org.br
place hours_
ver horário do evento
issue sent by_ Martim Pelisson
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